Tag: querying

The Consequences of Sleeping in Moonlight

This weekend realized for the first time with fierce clarity; I am hopelessly, toxically, in love with New York. I came to this epiphany after midnight, while crossing time zones somewhere in the Midwest. The moon was full, the clouds a mysterious Rorschach swirl, and Rufus Wainwright was crooning a Leonard Cohen cover over the car radio.

I’ve never thought of myself as a die-hard New Yorker. I think that sort of personality archetype is reserved for the denizens of NYC as portrayed in superhero blockbusters. I live nowhere near Manhattan. I have more in common with Toronto than Brooklyn, geographically speaking.

But as I found myself deep in the American Midwest, it was hard not be aware of what a hopeless Yankee I am. I had a critical eye on everything; from the tall, willowy, beautiful nordic girls that seemed to spring up from the hay fields like straw, to the crème brûlée that had gone sticky-soft in the humidity. Even the trees seemed weaker to me, less dangerous than those dark, sharp pines I know and love.

My homesickness was fierce. The quaint innkeepers were too kind and personal. The squat old dog that sidled up to me at the local bar was too casual, too at home.

I’d never been more desperate for sarcasm. I had come to a strange land, and here I felt like the cynical monster.

However, despite my longing for home, I realized something desperately (painfully?) poignant about being adrift and far from your particular comforts.

Writers inherently spend an inordinate amount of time in their heads. Writing is solitary, and the process insulates you against reality as a necessity. You draw upon your memories, your dreams, your fears—all of it—in order to create. But as an artist and a creative soul, I realize I can’t feed it just my own recycled thoughts forever.

I need experiences to feed the engine. Good ones, bad ones, doesn’t really matter- they all go into the soup. This is the best creative fodder I have, and why I always travel if I’m given the chance. My favorite pastime is to fall in love with strangers.

Maybe love isn’t the right word, but I can’t think of a better one. The English language disappoints me in that shortcoming.

I like to try on their life for a moment, to imagine what existence might look like through that person’s eyes. I notice the details, a unique pin or necklace, an unusual taste in shoes, a bag with a worn strap. I can’t help but fill in the rest:

She’s not just a flight attendant; she’s reading Flaubert for her online lit course in stolen moments after takeoff. She found those quirky silver-spoon earrings at a little boho shop down the street from her apartment and wears them on days she wants to feel more whimsical than her life allows. She knows she should call her sister, but she tells herself a flimsy excuse that it’s the time zone difference that keeps getting in the way and not her own guilt.

I do this constantly. I can’t help it, my mind just fills it in. Little stories about the strangers passing through my life. They’ll never know, but I’m taking an ephemeral photograph of them as I go on my way. This is how I know, despite any job positions, titles, or marketing—I have a Poet’s heart.

Listening to Rufus belt out the verse, I can imagine that too. My heart aches vicariously, yet my soul doesn’t know the difference. He is singing another man’s song about a woman he’s never met, and I can still hear the truth of it in his voice. We are mirrors, endlessly reflecting fragments of other people’s stories back into art.

Somewhere between Illinois and Infinity, another poet hurtles by on a dark interstate, driven half mad by the moon.

In writing news, I wish I had something more to report. Author copies of my poetry chapbook are… elusive. I suspect they may be sitting in a USPS warehouse somewhere between me and California to be forgotten and buried like the holy grail. Or they may magically present themselves at my doorstep tomorrow. Until then, they are Schrödinger’s Poetry books and I won’t worry much about them.

I am still in the no man’s land of querying my novel for the moment, somewhere between being read and not being read, neither of which I can do much about so I don’t see the sense in fretting over that either.

I’ve been submitting some new pieces, but I confess they are getting stranger and stranger. I have a particularly raw non-fiction piece out there that I’ve got some hope for, a small packet of mean-spirited poetry that may or not be anyone’s cup of tea (including mine), and I’ve got a little micro-fic that touches on love and string theory that I think I adore more than anyone else because I find metaphysics addictive.

I’ve also recently dipped back into a historical fiction idea that’s been rattling around in my brain for too long, and I’ve been secretly plotting a standalone novel for one of my favorite characters from The Last Dawn because truly he deserves it.

The moon is calling once again—SMH

Currently Reading
My Darling Dreadful Thing by Johanna van Veem

This is such a delicate, honeyed, sapphic story. Johanna’s use of imagery and metaphor is a delight.

Prince of Thorns by Mark Lawrence

Very grimdark, much revenge. The back and forth non-linear storytelling is interesting, but time will tell if it pays off in the end.

At Dark, I am become Loathsome by Eric LaRocca

This is one I’ve had on my TBR for a while now, and what better time of year to begin! I’m highly excited.

My Cousin Rachel by Daphne Du Maurier

Re-reading a classic, purely for October vibes. If you’ve only read Rebecca, please read this.

The Mousetrap by Agatha Christie

This was one of my childhood favorites and for the fall, a mystery like this is such a warm cozy sweater. Did you know Dame Agatha actually disappeared once from the public eye and threw the whole UK into a tizzy? Points for drama.

The Invisible Life of Addie La Rue by V.E. Schwab

Looking forward to this, I’ve heard nothing but good things. Since I read ‘The Near Witch’ I’ve enjoyed her writing, and the Shades of Magic series was terribly fun. Also, justice for Holland.

Arthur Rimbaud; Complete Works translated by Paul Schmidt

I always need a little more vicious ache in my life, and Rimbaud never disappoints.

Bury Me in Pearls; or a Coffin Drifting out to Sea

I am fixated on the last images of Lèvres de sang – a French film from 1975. A desolate windswept beach, dawn approaching. Two immortal lovers climb into a shared coffin, close the lid, and drift out to sea.

These are the kinds of stories I love. I find more romance in fantastique films and 19th century poetry than most other places right now.

I was born in the wrong century.

I realize that. My idea of coping mechanisms are; unironically wearing a robe, drinking excellent absinthe (it’s Pernod or nothing) and reading the 1818 edition of Frankenstein.

I am the anachronistic poster girl for 19th century artistic suffering and while I realize how ridiculous that sounds—I struggle to conceive of how it could be worse than what everyone around me does.

Phones. Netflix. Lawn-care. Crossfit. Microbrews.

We all pick something, don’t we? I just choose the most insufferable crutches, and I’m well aware of it. I own too many vintage robes, and listen to French jazz. I watch old poetic vampire films for the pure joy of aesthetic. I live paycheck to paycheck but insist on being buried in Prada lipstick and pearls.

You can’t take anything too seriously. That’s what I’ve learned. Life is a roulette wheel of misfortunes with the occasional, fleeting, elusive bright spot of joy.

We all lose in the end so we might as well enjoy the ride.

The real beauty of it all, is that we get to pick our poison. So no, I may not know who won the football game. But I did ache when I read Baudelaire’s love and hatred for his muse. I did tear up during J’accuse when the poet lost his soul. When Joan of Arc chose the flame.

My poison happens to be pretentious as hell. But it somehow feels more honest.

I am here. I feel. I am alive.

I am aware that society is unfathomable and insane. That we are the only species on this planet that enforce misery on ourselves over something so imaginary as the concept of ‘hustle.’ Let me have my drama, my poetry, my ache.

We’re all dying, and we only get this dream once. Is it so wrong to want it to be beautiful?

All melodrama aside, as summer winds down and I start hearing the whispers of autumn approach, I’ve got a few writing updates:

I’ve (finally) finished revisions on the third draft of The Last Dawn and am preparing myself to head back into the query trenches. I swear I’m not anxious about it at all.

However, I have to shout out Blake Curran (nouncertaintomes.com) for all of his help. Working with him has been an absolute necessity for me during this process. Thanks to his insightful, and meticulous critique, I completely reconstructed my novel. It is now deeper, bloodier, and more brutal – and at last, cuts just right.

Blake is a wonderful human (see also: possible Australian demon) and he’s been incredibly supportive throughout my many spirals. I really couldn’t have pushed myself so hard without his steadfast encouragement. Hats off to the editors, because without them we writers would simply be melodramatic nonsense puddles that use too many commas.

Also, my horror story; This is My Body is going to be published in September, but I’ll do a full post on that later. It’s an uncomfortable little story but if you like that sort of thing, I can’t wait to share.

I’ve also recently joined the Horror Writers Association, and it’s been exciting to become a part of that community. Also maybe a little overwhelming, but I am navigating.

In less serious news I’ve begun working on a meta-comedy novella, which may never see the light of day, but it has really been helping me laugh at myself. I will not further embarrass myself with the logline here, because I have been told repeatedly, I am not actually funny.

Back to the trenches I go—SMH

Currently reading:

Don’t Let the Forest In by CG Drews

Beautiful and visceral in all the right ways. Truly haunting, and the interwoven fairytale prose cut straight to my heart.

Frankenstein: The 1818 Text by Mary Shelley

Reading this makes me weep. For obvious reasons.

Carmilla by J. Sheridan Le Fanu 

Indulgent, gothic, atmospheric, sapphic, classic. What’s not to love?

The Devils by Joe Abercrombie

Absolute powerhouse. This man. How dare he be this good. How dare he just reappear and drop this blood-soaked joyride? How. Dare. He.

Also there is a crazy beautiful UK edtion of this that makes me angry to be American.

Exquisite Corpse by Poppy Z. Brite

Not my first time reading, will not be my last. This novel holds a very special place on my shelf as perhaps the most disturbing book I own. Not for the faint of heart or stomach, painfully indulgent and hyper-sexual, but still legendary in its audacity.

Zombie by Joyce Carol Oates

Again, an old favorite. This book… fundamentally changed me. And explains a lot about my writing. Highly disturbing, but what I find iconic is the narrative style and voicing. So chunky, stuttered, and painful to read. I love it.

Letters to Milena by Franz Kafka

I cannot describe how this book makes me ache. This is romance, I will accept nothing less.

Bloody Nose

Writing requires a certain amount of masochism.

Even when you’re doing it all right, and technically doing well – your life is at least 95% hearing ‘no.’

I wonder sometimes if we’d all be much better humans if we were forced to fail that consistently. I confess, I don’t always take it elegantly. I do try, but I can also spiral into levels of melodrama Lestat himself would be ashamed of.

I always come back to that story about Hans Christian Andersen flopping face-down onto Charles Dickens’ lawn, refusing to leave. Dickens, the unwilling host, just anxiously wringing his hands like ‘Can you have your tantrum literally anywhere else?”

I can relate. I’m a lawn-flopper.

I try to remember writing requires some level of professionalism, though as a rule, you’re gift-wrapping your unfiltered thoughts, lobbing them at strangers and trying not to wince.

It’s brutal.

And yet, I get up, every morning, and keep going.

For example, this week I received 4 rejections in one day. Across multiple genres. That was a new all-time low.

I have previously experienced the slow-drip version of this, one rejection a day for a five-day streak. I assure you, both are awful in their own special way.

But the thing I keep coming back to, even when friends and family side-eye my lemming-like need to seek brutal rejection is this:

Technically, I’m still getting more yeses than I should be. By far.

Every ‘no’ hits harder, but when I do hear yes? Those beautiful, rare words of praise? The ones that actually get it? There’s nothing like it.

I’m not known for my smiles, it’s true.

Somewhere, there’s a picture of elementary school me, dressed in a black velvet dress with a white lace collar (thanks 1990s) and utterly bereft of a smile. In my defense, the photographer didn’t say ‘smile’ so I took it as optional.

However, when I hear anything that remotely sounds like ‘I liked your story/poem/novel’ I start grinning like a drunk. It’s rather unsettling.

So I guess that’s why I keep opening that door. I keep tossing work out there like it doesn’t matter. Because most times you get punched in the nose. But sometimes… someone hands you a flower.

Grudgingly—SMH

The Horrors Persist

Hello. Welcome to my dark corner of the internet. It smells like deadjournal in here. If you don’t understand that reference maybe find somewhere else to haunt. I’m still writing, and there is so much happening around me I’ve struggled to keep up.

It’s unseasonably hot at the moment, but I’m not sure if it’s just summer getting started or the dumpster fire in my head that’s keeping me warm. I’ll get to that in a moment; first— updates.

Post NYC Midnight (Summer 2024)

I started reworking my short story The Crossing, from the first round of the contest into an entirely different animal. It’s not that I didn’t love what I wrote, it’s just that I’ve always loved villains more— and that’s where The Last Dawn began.

Submitting Short stories and Poetry for small publications (Fall 2024)

I also decided to share some of my short stories; Something Like Love, and The Farm with some small publishers to see if I could get a bite. Spoiler Alert: a year later I’m a published poet in Crowstep Journal, so let’s check that off my starving artist bingo card.

Drafting The Last Dawn (Spring 2024-Spring 2025)

Looking back now, I have to say this all feels like it happened in a bit of a fugue state. I drafted half the novel lightning fast (to about 40k) before starting over and getting the color coded post-it notes out. I have pictures. It was pure madness. Then I was halfway through the next draft before I finally got two weeks to myself to finish it. 

A photograph of a small dog and a coffee cup.
A screenshot of the end of a book.
A photograph of an ipad on a lapdesk in front of a fireplace.

It was a lovely, insane two weeks in South Carolina, with no humans to bother me, only a small dog and plenty of girl dinner. Eat, sleep, write, repeat. A tornado happened, but I hardly noticed. Also I discovered how to write 5k a day consistently, and I honestly can’t recommend Rachel Aaron’s 2,000 to 10,000 enough for those struggling to boost their writing speed.

When I returned home to frigid NY once more, I had a finished first draft in hand, and I was absolutely delighted with myself. I thought maybe I’d earned a moment to take a break, and bask in the glory.

Then I remembered that I’m a monster, and dove straight into my brutal revisions. Let it be known— I do not have any qualms about strangling my darlings. I was almost horrified to discover that my ‘cuts’ folder was growing exponentially as I revised. At one point there were over 40k words in the cut folder, and the manuscript was barely more than 70k long.

But I stuck to my plan, make this story sharp as heck. So I committed. I rewrote so much. I tore out the spine of the main plot because I realized it was comically complicated. I thought my revisions would take two to three months. Imagine my shock when I realized— two weeks later, it was ready for betas. I had done it.

Now, hold on. I know what you might be thinking; you could not of possibly revised properly that quickly. That’s a fair assessment. But remember, I did not hesitate to rip my beloved child of a manuscript wide open with a box cutter. I prodded at it, poked at it, watched it squirm, and got back to work. I’m just unreasonable like that.

The Last Dawn Book Cover Art

So- by March of 2025 I had the first beta-edition of The Last Dawn ready. I had already made up my mind to start querying agents in June if all went well. Then everything went… fast. I was querying by late March, and seeing interest by May.

Trust me, this makes it all sound simpler than it is. I’m intentionally leaving out my multiple imposter syndrome spirals, feral meltdowns, fear of handing other humans my trauma-ridden manuscript and—gasp!— letting them read it.

I’m also saving you the obsessive play-by-play of my querying journey so far; suffice to say, I’ve gotten too many “almosts” for my liking— and I’m still in the trenches.

The horrors persist, but so do I.

I should also add, I’ve been feeding my brain as many books as it can handle. I’m currently reading:

The Last Argument of Kings – Joe Abercrombie

I may name my next cats Glokta and Jezal. Really.

Mexican Gothic – Silvia Moreno-Garcia

Sinking into this like a well worn sweater in the autumn.

To Be Devoured – Sara Tantlinger

The reviews were promising. I love a book that horrifies people, but my standards are high.

Les Fleurs du Mal – Baudelaire

I am both reading this and listening to a man with a lovely voice read it in French. I highly recommend both. And a bubble bath.

Farewell for now, theres a manuscript that needs gutted—SMH

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