Tag: whinging

The Consequences of Sleeping in Moonlight

This weekend realized for the first time with fierce clarity; I am hopelessly, toxically, in love with New York. I came to this epiphany after midnight, while crossing time zones somewhere in the Midwest. The moon was full, the clouds a mysterious Rorschach swirl, and Rufus Wainwright was crooning a Leonard Cohen cover over the car radio.

I’ve never thought of myself as a die-hard New Yorker. I think that sort of personality archetype is reserved for the denizens of NYC as portrayed in superhero blockbusters. I live nowhere near Manhattan. I have more in common with Toronto than Brooklyn, geographically speaking.

But as I found myself deep in the American Midwest, it was hard not be aware of what a hopeless Yankee I am. I had a critical eye on everything; from the tall, willowy, beautiful nordic girls that seemed to spring up from the hay fields like straw, to the crème brûlée that had gone sticky-soft in the humidity. Even the trees seemed weaker to me, less dangerous than those dark, sharp pines I know and love.

My homesickness was fierce. The quaint innkeepers were too kind and personal. The squat old dog that sidled up to me at the local bar was too casual, too at home.

I’d never been more desperate for sarcasm. I had come to a strange land, and here I felt like the cynical monster.

However, despite my longing for home, I realized something desperately (painfully?) poignant about being adrift and far from your particular comforts.

Writers inherently spend an inordinate amount of time in their heads. Writing is solitary, and the process insulates you against reality as a necessity. You draw upon your memories, your dreams, your fears—all of it—in order to create. But as an artist and a creative soul, I realize I can’t feed it just my own recycled thoughts forever.

I need experiences to feed the engine. Good ones, bad ones, doesn’t really matter- they all go into the soup. This is the best creative fodder I have, and why I always travel if I’m given the chance. My favorite pastime is to fall in love with strangers.

Maybe love isn’t the right word, but I can’t think of a better one. The English language disappoints me in that shortcoming.

I like to try on their life for a moment, to imagine what existence might look like through that person’s eyes. I notice the details, a unique pin or necklace, an unusual taste in shoes, a bag with a worn strap. I can’t help but fill in the rest:

She’s not just a flight attendant; she’s reading Flaubert for her online lit course in stolen moments after takeoff. She found those quirky silver-spoon earrings at a little boho shop down the street from her apartment and wears them on days she wants to feel more whimsical than her life allows. She knows she should call her sister, but she tells herself a flimsy excuse that it’s the time zone difference that keeps getting in the way and not her own guilt.

I do this constantly. I can’t help it, my mind just fills it in. Little stories about the strangers passing through my life. They’ll never know, but I’m taking an ephemeral photograph of them as I go on my way. This is how I know, despite any job positions, titles, or marketing—I have a Poet’s heart.

Listening to Rufus belt out the verse, I can imagine that too. My heart aches vicariously, yet my soul doesn’t know the difference. He is singing another man’s song about a woman he’s never met, and I can still hear the truth of it in his voice. We are mirrors, endlessly reflecting fragments of other people’s stories back into art.

Somewhere between Illinois and Infinity, another poet hurtles by on a dark interstate, driven half mad by the moon.

In writing news, I wish I had something more to report. Author copies of my poetry chapbook are… elusive. I suspect they may be sitting in a USPS warehouse somewhere between me and California to be forgotten and buried like the holy grail. Or they may magically present themselves at my doorstep tomorrow. Until then, they are Schrödinger’s Poetry books and I won’t worry much about them.

I am still in the no man’s land of querying my novel for the moment, somewhere between being read and not being read, neither of which I can do much about so I don’t see the sense in fretting over that either.

I’ve been submitting some new pieces, but I confess they are getting stranger and stranger. I have a particularly raw non-fiction piece out there that I’ve got some hope for, a small packet of mean-spirited poetry that may or not be anyone’s cup of tea (including mine), and I’ve got a little micro-fic that touches on love and string theory that I think I adore more than anyone else because I find metaphysics addictive.

I’ve also recently dipped back into a historical fiction idea that’s been rattling around in my brain for too long, and I’ve been secretly plotting a standalone novel for one of my favorite characters from The Last Dawn because truly he deserves it.

The moon is calling once again—SMH

Currently Reading
My Darling Dreadful Thing by Johanna van Veem

This is such a delicate, honeyed, sapphic story. Johanna’s use of imagery and metaphor is a delight.

Prince of Thorns by Mark Lawrence

Very grimdark, much revenge. The back and forth non-linear storytelling is interesting, but time will tell if it pays off in the end.

At Dark, I am become Loathsome by Eric LaRocca

This is one I’ve had on my TBR for a while now, and what better time of year to begin! I’m highly excited.

My Cousin Rachel by Daphne Du Maurier

Re-reading a classic, purely for October vibes. If you’ve only read Rebecca, please read this.

The Mousetrap by Agatha Christie

This was one of my childhood favorites and for the fall, a mystery like this is such a warm cozy sweater. Did you know Dame Agatha actually disappeared once from the public eye and threw the whole UK into a tizzy? Points for drama.

The Invisible Life of Addie La Rue by V.E. Schwab

Looking forward to this, I’ve heard nothing but good things. Since I read ‘The Near Witch’ I’ve enjoyed her writing, and the Shades of Magic series was terribly fun. Also, justice for Holland.

Arthur Rimbaud; Complete Works translated by Paul Schmidt

I always need a little more vicious ache in my life, and Rimbaud never disappoints.

Don’t Half-Ass Two Things

Contrary to all of the advice I received in my formative years:

  • You can’t do that.
  • It’s too dark.
  • You’re too much.
  • Tone it down.
  • You’re too messy.
  • Too honest.

I have finally come to an important realization. The only time any of my art or writing seems to touch anyone, is when I am embracing those exact things I was told to fear.

It’s been a theme my entire life. Restraint. Filter. Polish.

I was once crowned the reincarnation of Emily Post by my respective friend group. At 27.

Look, this isn’t completely self-imposed de-clawing. I’ve worked in creative fields professionally for over a decade. Palatable has always been the name of the game. Clients don’t want too funny, too self-aware, too bright, too true. Safety nets, everyone.

Unlearning that conditioning though, is a superhuman feat. Writing a book while fighting that voice in the back of my head, that little nagging one that whines in a wheedling tone:

You can’t write that! Someone might read it!

But, as I enter into draft 3 of The Last Dawn, I’ve come to a kind of peace with it. I’ve spent a year developing these characters, this world, and exploring the awful consequences of their actions.

I don’t want to write the story that makes that palatable. It simply doesn’t interest me. There are writers out there who will do that far better than I ever could. Because they are actually passionate about it. The endcap at your local bookstore has plenty to choose from where the dark will never go too dark. No one will really break.

I’m not here to knock genre fiction. I love a good beach read as much as anyone. But I realized that I don’t have any interest in writing it.

Which made my revision plan fairly straightforward honestly. I’d done something weird where I wrote a Frankenstein of a novel; three parts romantasy, one part dark fantasy. I didn’t really mean to, but that internal filtering system I had going on just pulled my punches when it should have let me double down.

I was battling ‘this is going to be unpublishable’ with ‘maybe this will have crossover appeal’ with a dusting of  ‘let’s go full commercial candy’ and ended up with a novel that wasn’t really living up to my original awful vision.

I wanted to write something smart. Something toothy. Something that subverted expectations but still made you want more, like a slow-motion car wreck.

Instead of half-assing two genres, I decided to whole-ass one. Right now, as long as I remain brave enough, The Last Dawn is going to live up to my vision—and to hell with marketability. Filing off my claws wasn’t doing me any favors. If you want a happy ending, if you want redeemable anti-heroes, I’m going to recommend you move along for your own sanity.  

I’m telling a messy, tragic, tale of what happens when we reach for power instead of connection. When we tell ourselves it was a necessary evil. When there is no magic kiss to break the spell. Villains are made one baby step at a time, and each of those steps feels justified.

It won’t be neat. It won’t fit into witty little hashtags, and you’ll see no Canva book graphics about this one.

Wish me luck. Or better yet, guts.—SMH  

Bloody Nose

Writing requires a certain amount of masochism.

Even when you’re doing it all right, and technically doing well – your life is at least 95% hearing ‘no.’

I wonder sometimes if we’d all be much better humans if we were forced to fail that consistently. I confess, I don’t always take it elegantly. I do try, but I can also spiral into levels of melodrama Lestat himself would be ashamed of.

I always come back to that story about Hans Christian Andersen flopping face-down onto Charles Dickens’ lawn, refusing to leave. Dickens, the unwilling host, just anxiously wringing his hands like ‘Can you have your tantrum literally anywhere else?”

I can relate. I’m a lawn-flopper.

I try to remember writing requires some level of professionalism, though as a rule, you’re gift-wrapping your unfiltered thoughts, lobbing them at strangers and trying not to wince.

It’s brutal.

And yet, I get up, every morning, and keep going.

For example, this week I received 4 rejections in one day. Across multiple genres. That was a new all-time low.

I have previously experienced the slow-drip version of this, one rejection a day for a five-day streak. I assure you, both are awful in their own special way.

But the thing I keep coming back to, even when friends and family side-eye my lemming-like need to seek brutal rejection is this:

Technically, I’m still getting more yeses than I should be. By far.

Every ‘no’ hits harder, but when I do hear yes? Those beautiful, rare words of praise? The ones that actually get it? There’s nothing like it.

I’m not known for my smiles, it’s true.

Somewhere, there’s a picture of elementary school me, dressed in a black velvet dress with a white lace collar (thanks 1990s) and utterly bereft of a smile. In my defense, the photographer didn’t say ‘smile’ so I took it as optional.

However, when I hear anything that remotely sounds like ‘I liked your story/poem/novel’ I start grinning like a drunk. It’s rather unsettling.

So I guess that’s why I keep opening that door. I keep tossing work out there like it doesn’t matter. Because most times you get punched in the nose. But sometimes… someone hands you a flower.

Grudgingly—SMH

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